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To the left, a canopic figure rendered in deep, lustrous black — hieroglyphs at the base, the formal stillness of something made for eternity, for the dark interior of a tomb that was never meant to be opened. To the right, a falcon deity spreads its wings in gold and teal, the sacred bird of Horus rendered with the devotional attention of someone who understands that some images were always meant to last.\u003c\/p\u003e\n\u003cp\u003eBetween them and behind them — magenta, violet, yellow, the gestural energy of a contemporary painter who refuses to stand reverently at a respectful distance from history and instead pulls it forward into the present tense where it belongs. Handprints. Marks. The evidence of a living hand in conversation with the hands of makers who worked four millennia before.\u003c\/p\u003e\n\u003cp\u003eThe gold catches the light. The black absorbs it. 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His expression is neither stern nor welcoming. It is simply the expression of someone who has seen everything, understood most of it and made peace with the rest.\u003c\/p\u003e\n\u003cp\u003eThe ground blazes orange — the orange of ceremony, of fire, of a court that takes its pageantry seriously. A wash of violet at the collar gives way to that extraordinary robe — black, formal, covered in bright chartreuse circles that feel simultaneously medieval and entirely contemporary. Pop art invading a royal portrait. The dots refusing to respect the solemnity of the occasion. The king, for his part, refusing to acknowledge them.\u003c\/p\u003e\n\u003cp\u003eHe wears his crown with the ease of someone born to it. The silver catches the orange ground and gives it back as warmth. 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Which is always, it turns out, a garden in full bloom.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📦 Shipping \u0026amp; Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e30\" × 30\"\u003c\/strong\u003e original on birch wood panel\u003c\/li\u003e\n\u003cli\u003eAcrylic and pastel\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1⅞\" deep cradled panel — gallery ready, no framing required\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eSigned and dated 2025\u003c\/li\u003e\n\u003cli\u003eShips carefully packaged\u003c\/li\u003e\n\u003cli\u003eCertificate of authenticity included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eOne original. No reproductions. 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Around them the deep teal-green of lotus leaves and water creates a ground that is lush and cool and completely alive — the seed pods with their architectural geometry scattered through the composition like small meditations on what comes after the flowering.\u003c\/p\u003e\n\u003cp\u003eThe painting is on deep birch wood panel — the solid ground giving the colours a depth and saturation that canvas cannot replicate. The greens are genuinely deep. The pinks genuinely luminous. The whole surface has the quality of something that has been looked at carefully and painted with complete devotion.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePink Lotus\u003c\/em\u003e is a painting for a significant moment. A new home. A new chapter. A recovery. 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The horn catches the light.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnicorn Master\u003c\/em\u003e is the painting for the person who understands that fashion and art have always been having the same conversation — about beauty, about transformation, about the extraordinary lengths to which humans will go to make something unforgettable.\u003c\/p\u003e\n\u003cp\u003eChanel made the moment. This painting made it permanent.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📦 Shipping \u0026amp; Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e36\" × 36\"\u003c\/strong\u003e original acrylic on canvas\u003c\/li\u003e\n\u003cli\u003eShips carefully \u003cstrong\u003erolled in a professional tube\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eUpon arrival we recommend professional stretching and framing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrefer it shipped pre-stretched?\u003c\/strong\u003e Contact us before purchasing for a shipping quote at cost\u003c\/li\u003e\n\u003cli\u003eCertificate of authenticity included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eOne original. No reproductions. 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In daylight it is a nocturnal forest scene of considerable atmosphere — bare winter trees rising against a deep charcoal sky, a church spire silhouetted on the left, two small dark animals moving through the undergrowth with the quiet purposefulness of creatures who own the night. Orbs of colour float through the trees — blue, pink, green, orange, yellow — too luminous to be lanterns, too deliberate to be stars. A eight-pointed star hangs in the middle distance like a navigation point for something that doesn't use maps.\u003c\/p\u003e\n\u003cp\u003eThen the lights go off.\u003c\/p\u003e\n\u003cp\u003eThe phosphorescent paint glows. The orbs pulse softly in the dark. The star holds its light longer than anything else. 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The painting will do the rest.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📦 Shipping \u0026amp; Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e24\" × 20\"\u003c\/strong\u003e original on birch wood panel\u003c\/li\u003e\n\u003cli\u003eAcrylic, collage and phosphorescent paint\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e1⅞\" deep cradled panel — gallery ready, no framing required\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003eShips carefully packaged — ready to hang\u003c\/li\u003e\n\u003cli\u003eCertificate of authenticity included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eOne original. No reproductions. 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The ground beneath the blue dog suddenly uncertain.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlue Dog\u003c\/em\u003e holds all of that simultaneously — the blue dog stands on a disc of raw red, the flat earth made literal and bleeding at the edges, planetary orbs arranged above in yellow, green and pink against a ground of deep indigo and near-black that is simultaneously night sky and industrial darkness and the particular blue of contaminated water. The panels spread the composition across six feet of birch wood — the triptych form of altarpieces, of sacred narratives, of things that require more than one panel to contain.\u003c\/p\u003e\n\u003cp\u003eThis is a painting about the world as it actually is — which is to say simultaneously scientifically explicable, cosmically indifferent, industrially catastrophic and completely, heartbreakingly beautiful. The dog is blue. The planets are aligning. The earth may or may not be flat. 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A rainbow arc moves across the upper canvas with the particular quality of something that is not quite a rainbow — too deliberate, too perfectly curved, the colours too saturated, the placement too specific. Iridescent cloud. Atmospheric optics. Or something using the sky the way the sky has always been used by things that understand it better than we do.\u003c\/p\u003e\n\u003cp\u003eThe artist has had a lifetime of firsthand experiences that defy material science — extra sensory perception, encounters with phenomena that exist at the edge of what conventional frameworks can accommodate. The Magical Thinking Series does not argue for any particular explanation. It simply paints what has been seen and witnessed and photographed and felt, and allows the viewer to bring their own relationship with the knowable and the unknowable to the work.\u003c\/p\u003e\n\u003cp\u003eThe snow forest glows orange and pink in light that has no obvious source. The sky is the deep teal of something that knows more than it's telling. The arc moves across it with complete confidence.\u003c\/p\u003e\n\u003cp\u003eSomething is up there. Whether it is cloaked is, of course, a matter of perspective.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e✨ About the Magical Thinking Series\u003c\/h3\u003e\n\u003cp\u003eAn ongoing body of work exploring esoteric themes, new age philosophy, disclosure, paranormal phenomena and atmospheric events that exist at the boundary of the explainable. 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