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Impossible to tell.\u003c\/em\u003e\u003c\/p\u003e","brand":"Decorum Atelier","offers":[{"title":"Default Title","offer_id":42965503803486,"sku":null,"price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0650\/4929\/6990\/files\/borzoi-custom.jpg?v=1783012706"},{"product_id":"hollyweird","title":"Hollyweird","description":"\u003cp\u003e\u003cstrong\u003eHOLLYWEIRD\u003c\/strong\u003e \u003cem\u003eCollage, Oil Stick, Pastel \u0026amp; Acrylic on Canvas | 36\" × 24\" | 2024\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eSex sells. Hollywood knew it first.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHollyweird\u003c\/em\u003e is a wall of the twentieth century's greatest myths — iconic movie posters, film stills and the faces that built the dream factory, collaged across the canvas in a dense, overlapping archive of glamour, violence, desire and spectacle. Jaws. Marilyn. Humphrey Bogart. The shark. The blonde. The man with the gun. All of it layered and pressed together the way the Hollywood machine actually worked — everything simultaneously, nothing quite what it appeared, the whole gorgeous apparatus running on image and illusion and the absolute certainty that someone somewhere would always be watching.\u003c\/p\u003e\n\u003cp\u003eOver and through and across it all — oil stick, pastel and spray paint in neon yellow, green, red and blue. HOLLYWOOD spelled out in dripping crimson across the lower canvas. SEX SELLS announced without apology in the middle. The marks are graffiti and commentary and pure painterly energy simultaneously — the contemporary hand writing itself over the archive, claiming it, questioning it, celebrating it and finding it deeply, darkly funny all at once.\u003c\/p\u003e\n\u003cp\u003eThis is a painting about the stories we told ourselves for a century through a projector in the dark. About the icons we made and the myths we fed them to. About Hollywood — which was always, if you looked properly, a little weird.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📦 Shipping \u0026amp; Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e36\" × 24\"\u003c\/strong\u003e original on canvas\u003c\/li\u003e\n\u003cli\u003eCollage, oil stick, pastel and acrylic\u003c\/li\u003e\n\u003cli\u003eSigned and dated 2024\u003c\/li\u003e\n\u003cli\u003eShips carefully packaged — ready to hang\u003c\/li\u003e\n\u003cli\u003eCertificate of authenticity included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eOne original. No reproductions. Sex sells. 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At 76×56 it demands to be stood in front of rather than looked at — the scale creating an immersive experience in which the viewer does not observe the garden so much as enter it, surrounded on all sides by allium heads the size of planets, eryngium thistle in electric blue, burgundy globes on tall stems, the acid yellow of a background that is simultaneously sunlight and energy and the particular frequency at which the natural world vibrates when it is at full capacity.\u003c\/p\u003e\n\u003cp\u003eNature as a cosmos. That is the idea and it is everywhere in this painting — the allium heads are galaxies, the thistle heads are nebulae, the whole composition a universe of biological complexity rendered at a scale that makes the cosmic and the botanical indistinguishable from each other. Because they are not distinguishable. The same mathematics that governs the spiral of a galaxy governs the spiral of a seed head. The garden has always known this. The painting simply makes it visible.\u003c\/p\u003e\n\u003cp\u003eThe surface is extraordinary — every flower head built up with sustained, devoted attention, the blue of the eryngium achieved through layered marks that give it a depth and iridescence that shifts as you move. The yellow ground blazes. The burgundy globes anchor. The whole composition holds together with the impossible logic of something that should be too much and is, instead, exactly enough.\u003c\/p\u003e\n\u003cp\u003eThis is painting as an act of reverence for the natural world — the garden not as decoration but as testament. As proof that the universe is not somewhere out there but right here, in every seed head, in every spiral, in every garden that has ever been left alone long enough to become itself.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMidnight Garden Explosion\u003c\/em\u003e is a once painting. There will not be another one like it.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e📦 Shipping \u0026amp; Details\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e76\" × 56\"\u003c\/strong\u003e original acrylic on canvas\u003c\/li\u003e\n\u003cli\u003eSigned and dated 2024\u003c\/li\u003e\n\u003cli\u003eDue to the exceptional scale of this work please \u003cstrong\u003econtact us before purchasing\u003c\/strong\u003e to discuss shipping, stretching and installation\u003c\/li\u003e\n\u003cli\u003eCertificate of authenticity included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eOne original. No reproductions. The garden has always been a cosmos. 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This garden looks back and finds the same thing.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGalileo's Garden\u003c\/em\u003e is a painting of a wildflower meadow at the absolute peak of its summer abundance — sunflowers, rudbeckia, red poppies, pink zinnias, blue salvia, the tiny yellow confetti of a thousand smaller flowers scattered through a ground of the most saturated, living green imaginable. The composition looks downward into the garden rather than across it — the viewpoint of someone who has stopped walking and simply stood still and let the abundance come up to meet them.\u003c\/p\u003e\n\u003cp\u003eThe title speaks to the painting's deeper subject — Galileo who looked through his telescope and understood that the universe was larger and more ordered and more beautiful than anyone had dared imagine, and who found in that understanding not diminishment but wonder. The garden is the same discovery made at a different scale. The same mathematics. 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